At the heart of my artistic work lies the human being—as a bearer of personal and collective experiences.

I am interested in how experiences, memories, social conditioning, and historical events shape our thinking, feeling, and actions—and how human action, in turn, alters reality.

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My painting does not merely illustrate these experiences. The starting point might be a personal perception, an existential situation, or a social or historical event. During the painting process, the concrete catalyst increasingly dissolves, condensing into an autonomous pictorial reality.

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I work with expressive, gestural painting using acrylics and mixed media. Figurative elements meet open, painterly spaces; color, gesture, materiality, and composition become independent bearers of meaning.

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In doing so, I am particularly interested in the tensions inherent in human existence: vulnerability and stance, visibility and concealment, proximity and distance, hope and threat.

My paintings offer no definitive answers. They open up spaces of experience where personal memory, collective experience, and the viewer's own perception converge.

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For me, painting becomes relevant where it can make visible and tangible that which eludes precise verbal expression.